Art
“Who was Ethel Sands?” ARTnews, 27 March 2025
“Ithell Colquhoun’s mystical truths,” Art in America, spring 2025 print issue
“Dismissed, excluded, and now adored: the revenge of the women surrealists,” the Guardian, 11 February 2025
“The non-narrative of Louise Giovanelli,” ArtReview, 10 February 2025
“Paule Vézelay: Living Lines review – fierce artist forged in the heat of Picasso’s avant garde Paris,” the Guardian, 29 January 2025
“What’s behind the art world’s obsession with Hilma af Klint?” Frieze, 22 November 2024
“Leonardo, Raphael, Michelangelo: who is the greatest of the Renaissance masters?” the Guardian, 9 November 2024 (contributor, Michelangelo)
“Dora Carrington: Beyond Bloomsbury review - tinsel treasures from a polyamorous bohemian,” the Guardian, 8 November 2024
“Anya Gallaccio’s Organic Mementos Mori,” Hyperallergic, 23 October 2024
“Collecting Modernism review – unique set of artworks a testament to queer culture,” the Guardian, 3 October 2024
“Older female artists are suddenly getting the spotlight. Should we be cynical?” PLASTER, 30 September, 2024
“Rachel Jones’s Abstractions Embrace the Unknown,” Art in America, summer print edition, 29 August 2024 online
“In the Studio with Carolyn Mendelsohn,” British Journal of Photography, 29 August 2024
“A load of rubbish … or a whole new reality? Hany Armanious on his ‘redemptive’ replicas show,” the Guardian, 15 July 2024
“Bharti Kher believes that bodies are merely a vessel,” Elephant, 3 July 2024
“What’s the point of a curator?” PLASTER, 23 June 2024
“Mary Cassatt at Work review – stunning show blows the Mother’s Day card cliches away,” the Guardian, 12 June 2024
“A wild cocktail of emotion, politics and desire: a history of breasts in art,” the Guardian, 6 May 2024
“In the Migrant Art Gallery: Legacies of Colonialism at the Venice Biennale,” Elephant, 2 May 2024
“What’s Behind Our Emotional Reactions to Art?” Hyperallergic, 8 April 2024
“Portraits to Dream In goes beyond the usual appraisals of art by women,” British Journal of Photography, 5 April 2024
“Untold Art: Women Artists in Britain,” RA Magazine, spring 2024 (print)
“Review: Contested Bodies,” Corridor8, 6 December 2023
“The longer you look, the darker it gets: reassessing Gustav Klimt’s The Kiss,” the Guardian, 30 October 2023
“At Frieze Masters, ‘Modern Women’ Highlights Overlooked Women Artists,” Artsy, 12 October 2023
“Rising Star: Jadé Fadojutimi’s Vibrant Symphony,” Sotheby’s, 5 October 2023
“Unruly Bodies review – grotesque breasts, gaping orifices … but where’s the soul?,” the Guardian, 7 July 2023
featured in “The great face off: 16 of the most wonderful portraits ever painted,” the Guardian, 19 June 2023
“Gwen John: often dismissed as a timid recluse, this unique and uncompromising artist painted relentlessly on her own terms,” The Conversation, 9 June 2023 (republished on Bylines Cymru, 4 September 2023)
“Just the Two of Us: The Rise of the Blockbuster Dialogue Exhibition,” ArtReview, 2 June 2023
“Hurvin Anderson: Salon Paintings review – bright, beautiful series brings barbershops to life,” the Guardian, 26 May 2023
“One painting at a time: ‘Dorelia in a Black Dress’ by Gwen John,” Prospect, 24 May 2023
featured in “‘Notoriously cruel’: should we cancel Picasso? Collectors, artists, critics and curators decide,” the Guardian, 7 April 2023
“After Impressionism: why has the National Gallery left female artists out of the picture?” the Guardian, 28 March 2023
“The Problem with All-Women Exhibitions,” ArtReview, 22 February 2023
“Five women artists who fought for the right to vote,” Art UK, 9 December 2022
“The Problem with the ‘Look, I Found Her!’ Trend in Art History,” ArtReview online and print issue, November 2022
“Edna Clarke Hall: From the Slade to Wuthering Heights,” Art UK, 10 October 2022
“Galleries continue to erase women artists in their blockbuster exhibitions,” The Conversation, 15 June 2022
Book Reviews
“Celia Paul Paints Her Place in the World,” Hyperallergic, 27 March 2025
“‘Poor Artists’ by the White Pube review – how to make it in the art world,” the Guardian, 28 November 2024
“The career catastrophe of domestic bliss,” a review of Mabel Nicholson by Lucy Davies, The Art Newspaper, September 2024, print
“‘Trophy Lives’ by Philippa Snow Review: Inescapably Human,” Art Review, 3 May 2024
“Nathalie Olah’s Bad Taste Is a Real Class Act,” Frieze, 10 November 2023
“Art Monsters by Lauren Elkin review - daring to be different,” the Guardian, 6 July 2023
“The Best Art Books of 2022,” The Conversation, 22 December 2022
“That Girl Online,” a review of Joanna Walsh’s Girl Online: A User Manual, 3:AM Magazine, 13 April 2022
“A Transcription of World,” a review of Lauren Elkin’s 91/92: Notes on a Parisian Commute, 3:AM Magazine, 22 October 2021
“A Good Listener,” a review of Lucie Elven’s The Weak Spot, Review 31, 23 April 2021
Culture
“The World’s Best House Museums: Louisa May Alcott,” Financial Times, 9 March 2024
“The World’s Best House Museums: sculptor Chaim Gross,” Financial Times, 10 February 2024
“Fantasy Home: A culture clash at the heart of The Parent Trap,” Financial Times, 15 January 2024
“The World’s Best House Museums: Monticello,” Financial Times, 5 January 2024 (6 January 2024 print edition)
“The World’s Best House Museums: The Brontë Parsonage,” Financial Times, 4 December 2023 (2 December 2023 print edition)
“The World’s Best House Museums: Kettle’s Yard,” Financial Times, 28 October 2023
“How to spend a day in Monti, Rome’s low-key, local-vibes neighbourhood,” Independent, 4 November 2022
“Why is it so hard to find the real Emily Brontë?” Prospect, 1 November 2022
"In conversation with author Emily Midorikawa: ‘They weren’t straightforward heroines,’" Lucy Writers Platform, 15 June 2021
“We were very merry”: What Ida Nettleship John taught me about friendship and growing up,” Lucy Writers Platform, 3 March 2021
Academic
Exhibition Catalogues
“The Changing Tides of Art by Women: From the High Victorian to the High Modern,” in A Different View: Women Artists in the Leamington Spa Art Gallery & Museum Collection, forthcoming June 2025
“Ethel Sands” and “Laura Alma-Tadema,” in Now You See Us: Women Artists in Britain, 1520-1920, Tate Britain, May 2024
“Friends and Rivals: the Madox Brown Sisters and the Women of their Circle,” chapter 4 in Uncommon Power: Lucy & Catherine Madox Brown, 2021, Watts Gallery & Artists’ Village.
“James Bowdoin III’s Collection in Context: On Historical Roots and Their Legacies,” in Art Treasures, Gracefully Drawn: James Bowdoin III and America's Earliest Drawing Collection, online catalogue, Bowdoin College Museum of Art, 2018.
Book & Exhibition Reviews
“Review: Woman in Art: Helen Rosenau’s ‘Little Book’ of 1944 by Griselda Pollock, with contributions by Adrian Rifkin and Rachel Dickson (Paul Mellon Centre for Studies in British Art, London, 2023)” in The Burlington Magazine, 166, June 2024
“REVIEW // Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art” in immediations, The Courtauld Institute of Art, December 2021
Edited Projects
“The Rossettis: In Conversation,” co-edited with Susie Beckham, with contributions by Dr Melissa Gustin, Dr Marte Stinis, Eduardo de Maio, Robyn Valentine, Nicholas Dunn-McAfee, in Aspectus: A Journal of Visual Culture, Issue V, 2023.
“Beyond Bloomsbury: In Conversation,” with contributions by Caitlin Doley, Nicholas Dunn-McAfee, Emery Davidson, and Jon King, in Aspectus: A Journal of Visual Culture, Issue IV, 2022.
Copywriting
Collecting guides for Bonhams (Ithell Colquhoun, Sir Alfred Munnings, Alan Turing, American Chippendale, Bugatti Family, Bridget Riley’s legacy)